You have to watch yourself in
Lima, or you may find that when you leave it, you could be missing not only
your wallet but also the skin of your teeth. Yet Lima is not only a den of
thieves, theives that watch for you to drop your guard with unblinking eyes, it
is also a city that indulges in a self professed necessity for love. In Lover’s
Park, the flowers bloom with such vigor they could only have been conjured by
Aphrodite herself, as she broods over those who come to share or bask in her
pious gifts. The gardens are enclosed by mosaic walls, each exhibiting a unique
pattern and arrangement of colours; no piece is the same as any other. Each
shard represents a fragment of a love affair, and although they are quite small
and insignificant on their own, when brought together they can create more
beauty, more colour and more light than one person could comprehend with just
their eyes, causing their hearts explode
in a shower of colored glass. This is the nature of love; it can create beauty
out of things that were once broken, and bring the most unlikely pieces
together to create a work of art. There are so many different types of love for
so many different types of people; there are so many different ways to say I
love you.
Yet life is all about
duality; if you allow your soul to be lost to another in the rip tide of first
dates, first kisses, and first ‘I Love You’s’, and do not keep a small fragment
for yourself, you might wake up one day to find yourself standing on the edge
of Suicide Bridge (built precariously close to Lover’s Park) without knowing
how you even got there.
That night at Ormond Hall I stood with my face drawn
up from its usual downward gaze to the eyes of that man and his guitar. Most
people say that at gigs they lose all sense of self awareness and just melt
into the music permeating the atmosphere, but that night I felt almost hyper
aware of my body; I could feel the fine hair on the inside of my thighs brush
together as I moved each one slowly past the other, in a sort of musically
initiated dance that had started in time but soon became independent of the
beat. I wondered if I continued it for long enough I could conjure up some
fleeting sense of electricity. It was noticing these details that always made
me feel abnormal, even more so than my more obvious defects; other people never
thought or felt like this, I would think. Is this another genetic defect, or is
there something wrong with me on the soul level, too? I thought about the angles of my legs, the
warped, triangular shape they naturally made.
They weren’t the right shape to fit around that man and his guitar, but
I still wanted him. Maybe our relationship could begin as a purely platonic
one, fueled by conversation and a mutual love of The Beatles, and the angles of
limbs would be completely irrelevant. Out of the rich and fertile earth laid
down by our intimate soul connection, our love would soon grow like hot house
flowers; wild and striking from the depths of an unnatural environment,
freakishly beautiful despite an inorganic cultivation. We would not be made of
perfect puzzle pieces, we would exist as a mosaic; glued specks of tile and
mirror onto his guitar, shards extracted from where they were embedded in his
heart, painted ticks burrowing into the wounds to make him scratch at his chest
and sing these sad, sad songs. We would glue the pieces of our broken hearts
together to make murals, like the ones on his album covers, and if there were
any cracks still showing we would paint over them.
But if he were happy, happier with me, with his legs wrapped around my uneven hips, his hand running down the jolting curve of my spine, then where would the songs come from? No one wants to listen to a completely content musician; they cannot relate to him, they will stop buying his records. I would have to let him beat me, he would have a raging temper, and he would be an alcoholic, or a junkie. I would have to hide my jewelry from him, including my engagement ring, I would steal money from the safe he kept underneath our bed, I would buy a gun. Then we could be together.
But if he were happy, happier with me, with his legs wrapped around my uneven hips, his hand running down the jolting curve of my spine, then where would the songs come from? No one wants to listen to a completely content musician; they cannot relate to him, they will stop buying his records. I would have to let him beat me, he would have a raging temper, and he would be an alcoholic, or a junkie. I would have to hide my jewelry from him, including my engagement ring, I would steal money from the safe he kept underneath our bed, I would buy a gun. Then we could be together.
But he never even gave us that chance. On April 5,
1994, he died of a self inflicted shotgun wound to the head, leaving his wife,
his daughter, and me behind.
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