Wednesday, February 15, 2012

Bye Baby Bunting - DIY


The other day I decided to exercise my craft muscle, so here's a fun tutorial to make a bunting! I've used mine to spruce up my desk a little bit, but they're also good for walls, maket stalls, book cases and so on.


This is my craft box! It's a lot like Mary Poppin's carpet bag, except that it's mainly full of free postcards, buttons, and scraps of fabric. Oh, and glue! No lamps though.

So out of my craft box, I have these Fat Quarters! Fat quaters are always fun to use because it's a bit of a chance game as to whether you get good patterns or not. It also forces you to work a bit harder to turn ones you wouldn't normal go for into something pretty. That, and I'm always looking for ways to use up discarded fabric.


I used Pink and White Bunting Fabric Ribbon from Typo as the base, because I like the idea of the two tringle patterns mirroring each other. Double Bunting! It's almost as cool as a double rainbow.


Measure the ribbon into a denomination devisible by the width you want for the top of your flag template. For example, I meausred out 150cm of tape...



...and so I have made the width along the top of my flags will be 5cm long. I then measured 7cm down from the halfway point, and connected the two sides at the tip to make an icoseles triangle paper template. This makes for quite a small triangle, you can make the template larger for a sparser design (and you'll spend less time cutting out triangles too!).




Once you've made you're template, you can start cutting out your triangles! It's a good idea to lay them out along the ribbon before you glue them down, to check if the numbers are right, and that you like the colour scheme! If something isn't working for you, change it! Don't be afraid to be a bit of a perfectionist when crafting.

 
Having said that, I don't mind if things turn out a little off kilter when doing DIY. Sometimes happy accidents can make your project all the more unique and, well, you! 

  
 Once you've figured out your sequence, glue your flags down to the ribbon. You don't need fancy craft glue for this project; I used my trusty supermarket glue stick! I decided to glue my flags from behind the ribbon so that you could still see the bunting pattern, but gluing them on top works just as well. 


Tadah! You're brand new bunting is complete, and ready to be hung!

Happy crafting!

Minty

So I've been tripping out on this colour recently. I've always loved the colour green, but lately this pastel mint green seems to be my favourite variation of the hue.












Does anyone know where/ if I can get chalkboard paint in this colour?  If you do I shall grant you three wishes!

Sunday, February 12, 2012

Letters From South America #5


Santiago
In the audience of Grecian marble statues that stand apart not only through their bright whiteness, but also their unlikeness to any real people, we move from room to room. All of them are filled with photographic windows into other peoples lives, lives that seem so much more real, and people with deep lines carved into their faces, fear in their eyes and heavy hearts; some with love, others with hate. They stand fast in empty rooms, coloured paint peeling green and blue flakes like snow from the walls. You can read photographs as a timeline; follow them like lines in the faces of the old defiant women, women who lately have been worn away from the picture by a revolution. You can trace their disappearance frame by frame, until all that remains is an empty chair and a single light bulb that does little to illuminate, even after all this technology and time. New wars are still conducted with the same old dance steps, and the resolution never changes, because you cannot change something that doesn’t exist. The walls of the wet streets are painted in commemoration of one of many revolutions that occurred fifty years before the photograph was taken, yet the sentiment of struggle remains the same, ingrained into this new generation. It bleeds out of the blank faces that will forever be most effected by war; the poor. Anger will breed quicker when nurtured in the nest of poverty, a violence born from an already festering sense of unrest.
Yet when the world is plunged into great darkness, colour will be our saving grace, so we must be brave enough to shine our light on it and not shy away. 

And now there is you. There are so many things that have happened since you have been away, but I will not be an exhibitionist and publish them on the internet, I will keep them here for you if you decide to return. When you were here, sometimes I had to untangle myself from you, from your love, from our sublimed existence; I needed to stand apart from you and inhabit the body of the observer. When I looked at you with distant eyes, unclouded by memory or prejudice, it reminded me of how much I loved you. Then everything would be just fine, but I needed you to be able to give me that time, or my internal self would crumble and I would forget my maiden name. You would have ceased to love me, because I would have ceased to be me. I would be nothing more than an extension of you, a phantom limb, an annexed piece of your soul in a pencil skirt and 4 inch heels. I still can’t wear heels.  So I suppose this is where we differ, it is our point of deviation; you believe that love will set us free, and I do not.
But now, I just wish that you would come home. I have stories to tell you, too.

St Kilda Festival 2012



So yesterday, lovely and I trekked all the way from east to south for the annual St Kilda Festival Sunday. It was not our first St Kilda Fest together, but this year had the potential of being particularly enjoyable, thanks to the wonderful hospitality of dear Kat, friend and resident of Fitzroy St. It certainly made a difference having a base so close to the festivities, to have some drinks and to hide from the rain! Thanks Kat :)

I love walking the streets of St Kilda during St Kilda Festival, there’s such a broad range of activities on that it brings out all sorts of people; hippies mingling with hipsters, street performers chatting to families, and even North siders making an effort to cross over to the beachside suburb. Festival Sunday doesn't judge!
You can buy silk happy pants, silver jewellery, happy herbs (the legal kind, although I'm sure you could get some of the illegal variety if you so desired), and deep fried spirals made from potato, if you can be bothered waiting in line. I couldn't, but everyone seemed to have them, and they looked delicious!

Another great thing about St Kilda festival is all the free shows they have on. We managed to get to four different acts throughout the day, all of which were very impressive in their own right.


Owl Eyes
I've written about Owl Eyes before, so I'll keep this short and sweet. All I can say is that Brooke is now completely in her element, her dancing is just as adorable as ever, and if the two new songs she previewed are anything to go by, I can't wait for her to release her first album! The rain came down pretty much as soon as we made it to her stage, but she seemed to be enjoying it, and I've always been a fan of a good dance in the rain!

Busby Marou

This was a such a lovely set, despite the fact that the rain meant it had to be cut short by 15 minutes. However, by the time they started the afternoon sun had decided to show up, and became the perfect complement to the warm hazey feeling created by the music. And man,can they play a mean guitar/ ukulele!
Most notable songs were of course Biding My Time, and Girls Just Want To Have Fun, a triple J's Like A Version inspired cover, but my favourite moment was neither of those in fact. It was the final song, Underlying Message, at the beginning of which a light shower began to fall, dusting the stage and crowd with a sprinkle of sunlit raindrops. Given that the first line of the chorus to that song is "Don't you love it when the rain falls down upon your face,"  it was one of the moments that could really only be perfectly orchestrated by fate.

Alpine
 
I only knew one song by this fledgling band, but I was so impressed with it that I dragged Lovely back to the garden stage to see them. I found them to be a very enthusiastic live act, and although the songs in the middle of the set seemed to blend in to sound a little too similar, the harmonies of the two female leads were as seamless and ethereal live as they are recorded, which is what drew me to them in the first place. Most people didn't seem to be too impressed that one of the leads was urging the rain to start falling again, but I wouldn't have minded to be honest. Rain is lovely to dance in, even if it makes your clothes a little soggy and your hair a little messy afterwards. Highlight was of course Villages, the aforementioned song that had got my attention, which they, of course, played last.

Miami Horror DJs

The last act of the night, the Miami Horror DJs commanded the attention of everyone who had stuck it out past dinner time. This was nothing more than a party set, which at that point in the night was just what we needed, good dancing music and good vibes all round. I'm not the biggest 'house music' enthusiast, in that I really have to be in the mood to enjoy it, but thankfully I was in this instance. And they did play a great remix of I Follow Rivers by Lykke Li which I thoroughly enjoyed, so I have to give them props for that too.

There was also some dancing at the George on Fitzroy St, both before and after the DJ set, and Coneheads for dinner, which can make any day a good one. On the whole I enjoyed St Kilda Festival Sunday immensely, and I highly recommend you to go only next year if you have the chance! Now excuse me while I go and try to patch up my dancing shoes...

Wednesday, February 8, 2012

So, Do You Come Here Often?

So this afternoon I decided to take a leaf out of young Weetzie's book, and took myself on a date.




It began with a  wander down Gertrude St, a peruse through my favourite second hand book/record store, and visit to the Rearview Gallery to see Minna Gilligan's exhibition. Man it was difficult to find, thank goodness for google maps!!







Recognise the style? You might if you're a regular reader of Rookie! I was so excited to find out that many of the collages featured in this amazing publication were made in my very own backyard. Yay Minna! Yay Melbourne!







These last four pictures feature work from Georgina Glanville, who also makes some pretty neat mixed media collages as well. The exhibition runs until Friday the 24th, so if you're heading down Smith Street way, go check it out. The gallery is small, and well hidden, in fact it kinda looks like somebody's garage from the outside. But then I guess that's Collingwood for you.

I finished my date with a coffee at thousand pound bend, before heading off to meet a friend at the Suzuki Night Market. I highly reccomend taking the time to treat yourself to a little one on one with someone you might miss and often choose to neglect; yourself!! It could do you a world of good, and might even get those creative juices flowing again.

Where's your favourite place to go on a date with you? I'd love to know, maybe
I'll get there myself one day :)

Tuesday, February 7, 2012

Pink Smog

I've found love, and her name is Weetzie Bat.





Usually prequals worry me a little, especially ones written a long time after the first book was released, because I'm afraid they might change the way I fell about characters I love so dearly.Change is good, but it also frightens me. Alot
However, I had so much faith in Francesca's ability as a writer, and I knew to stay true to the spirit of Weetzie, so I was very, very excited to read this book. What I didn't expect, and nor was I prepared for Francesca to make me love Weetize even more (if that was even possible). I can't wait to pick up Dangerous Angels again, now that I know so much more about how she became the slinkster cool punk pixie that made me want to start writing again.
"No matter how things get, you can always see the beauty in them. The worse things get, the more you have to make yourself see the magic in order to survive".

Monday, February 6, 2012

Letters From South America #4

La Paz

A few blocks into the heart of the market square, the witches market is established precariously close to the San Franciscan church; it is the ever-present sense of duality, two shadows of persisting beliefs for a generation who has shallow roots in both. Here you can buy talismans for wealth, travel, luck and love, great stone owl totems and effigies  to Pachamama, gnarled skeletons of llama lambs still growing their wool, hung next to the small skulls of birds, and the bright bottled happiness that sparkles with glitter and sunlight, if that is what will make you happy. All of this is sold by the wise old crones with collapsing withered apple faces and their granddaughters, who attend church with these talismans nestled in between their breasts.

In a hotel room eight floors above the city, we pretend to be rocks stars and order champagne  that bursts in my head, tiny balloons of air making it even harder to breath in the view of the city lit up blue and gold. I want to dive into the fluorescent green park below, I want to indulge in my precarious youth that disappears from my lips with each breath of cigarette smoke. I dance until my legs seem independent of my body, belonging to another species of animal; the muscles begin to bunch and ache as if I have walked from here to Macchu Pichu. In this city that overflows with so many people, bodies pressed together in the streets as they are in the clubs, it is so easy to feel lonely.

There is a pigeon lying dead in a puddle on the street, its little body so still yet the downy feathers on its breast move ever so slightly in the breeze. Meters away, a man lays face down on the concrete, and the people walk past and over him like that dead bird. I do not know if he is asleep or passed out, yet I cannot stop to help him. It is too dangerous, even for a showing of human compassion.

At the height of my rebellion, I became involved with a Wiccan. I say involved because our relationship was not exclusively sexual; I also got involved with his religion. He said that he could fix my gnarled skeleton with herbs and spells, which would have made me immediately skeptical if it came from the mouth of anyone else, but he carried all of his beliefs in his eyes, so passionately that they seemed to burn with the unnatural hue of gold leaves. He made me undress in the woods on the outskirts of town, and he would massage my whole body in a thick, black red paste that smelled like sage and almonds, chanting over me in a language that resembled but I did not recognise as Latin.
I hated learning Latin in school, Latin is the plague of my life. No, not the whole damned language, just one derivative in particular. Scoliosis. Doesn’t sound very dangerous, does it? I’m sure you’ve known a couple of girls at your school who have it, you know, the ones who had to wear a back brace and had school bags that they dragged behind them on wheels. You might have even been a little bit jealous that they always got to sit down in the school photograph, and were frequently given passes out of class; their illusions of suffering extracted them from the monochromatic backdrop of students and made them interesting. Well, I sure was jealous of those girls, I’ll admit that, but for a completely different reason. Sever or advanced scoliosis is the rotation of the spine beyond seventy degrees.  This can place pressure on the lungs, restrict the breathing and reduce oxygen levels. The distortions may also cause changes in the heart. I cannot run without pain or shortness of breath, I cannot walk in a straight line, I cannot even dance for very long, and certainly not all night. And I do suffer from changes of the heart, but that has nothing to do with my condition. 
That day I could not say that I felt any change in the depths of my malformed bones, but I liked the feeling of his hands on me, and the smell of the almonds, and how it made my skin feel smooth like young wood.  “If you surrender yourself to the Goddess, she will take the burdens of your pain upon herself,” he would say, but I couldn’t even think of doing that; it wasn’t fair. These were my pains, and my burdens, I could not expect a deity to take responsibility for my tortured physical and emotional manifestations.  They were what made me who I was, and if I gave them to her, what then? Would she be corrupted, would I have to take her place? No, I could not take on guilt from a goddess as well as my mother.
But I liked his warm, soft hands upon my back, so I let him think that he was helping me, and I wore the cracked rose quartz talisman on a long chain so that it lay tucked in between my breasts; I knew that if there really was a God, he would be able to see it hiding there, but at least the reverend would think it was a rosary.

One day when I went to meet him in the forest, he was not alone. A little grey kitten was curled up in his lap, and as he was deep in meditation, I managed to coax the animal out and into my arms. She was so warm and soft, I could feel her little heart beating furiously against the heel of my palm.
“Today,” he said, eyes still closed, “We are going to fix your spine for good.” His voice was not soft and light as it normally was, but crackled like dried leaves, leaves that would have usually been raised by his lofty nature; this filled me with a sense of dangerous foreboding. I looked at him, my eyes narrowed so that the dying sunlight could barely filter in, but it did nothing to illuminate his intentions. “Hand me the kitten,” he said, in a voice that was not his own. Hands trembling slightly, I handed over the little, helpless thing with hesitation. If I had seen the ceremonial knife blade glinting gold in his pocket, I would have run with her still in my arms, but I was anxious, and the fact that I couldn’t pinpoint the cause of this anxiety drew my focus on the kitten and not the blade. That was at least until he drew it out of his pocket and pulled it across the kittens throat. It was only a tiny pink esophagus that, moments before, had been contracting with mews and was now slick with spilt blood. My stomach rolled like an ocean, the horror resting as bile at the base of my throat, and for the first time in my life I tried my best to run; the pain was intense, like a rope of fire curled around my spine, but the sight of that unnaturally bright red against the soft neutral colors of the fur and the forest spurred me on. “Wait, Melissa, wait! This is all for you!” I heard him call after me, and something in my changeable heart snapped. He was not a Wiccan, I knew that Wiccan’s didn’t believe in animal sacrifice; he had either confused his methods of worship, or he was a highly disturbed human being. The bottom line was that he couldn’t help me. None of these people could, they were too busy wrestling with their own demons. Mine appeared to be the most sever, the one that needed the most urgent attention because of its physical manifestation, but the truth was it was not.
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